Chào các bác, Hiện tại có một chổ bán em này với giá 475$. Nó bao gồm cả Remote, Manual và giấy chứng nhận với chữ ký của KI. Các bác xem giá em nó có chat lắm không? Giá bao nhiêu thì cưới em nó được các bác nhĩ. Em này không có bảo hành, đến thử nếu vừa ý thì cưới. Mong tin các bác. SunONE
Giá cao quá bác ơi! Dù là KI. Bác mua ở nước ngoài à? Nếu mua về để sưu tầm thì được. Còn nếu mua để nghe hoặc phá ra mod thì với tầm tiền như vậy bác chọn được nhiều thứ khác.
1 lần dưới Hải Phòng em gặp em này KI đàng hoàng quát 2tr7 không khiển không manual gì cả. Vì nó sớt sát hơi nhiều nên em không lấy. Em cũng đang muốn thử nghe em này, vẫn tìm mà chưa thấy cái nào ưng.
Có bác nào nghe qua review thử con này với Marantz CD-99SE thế nào? (vì với giá trên thì chênh lệch không nhiều với 99SE) 99SE em nghe chi tiết, mượt mà phần trung cao, bass ấm áp nhưng không "dày cộm" như CD95...
Con này đắt quá các bác nhẩy! Tây nó nhận xét thế này các bác ạ!. Where do I sign? ALFEAN HARDY finally experiences the siren call of a Marantz, and succumbs completely to the workings of the latest mistress from the house of the musical midrange ... NOTHING makes beginner and mid-level audio enthusiasts foam at the mouth more than the mention of the words Marantz CD63. Or, more appropriately, the Marantz CD63 MkII KI Signature CD player. The name itself should be no stranger to the audiophile community; after all, Marantz has firmly established itself with a long and distinguished line of quality audio products, particularly CD players, at retail prices that the masses can afford. It's well known that there's no need to sell your mother-in-law in order to own a Marantz. Well, although you don't have to, I understand that's what happened to Andrew Wong's. The CD63 MkII KI, or the Ken Ishiwata Signature, to give it its full name, is considered by many as Marantz's latest jewel in the mid-priced crown. Designed by the master of Marantz himself, it's the final initiation (or bastion against, depending on whom you speak to) before the beguiling arms of high-end hi-fi. And now it's mine! All mine! Insert crash of thunder and evil laughter here. But, enough of cheap theatrics and melodramatic quibble, and let us explore what this lady has to offer. Features Perhaps because of its populist beginnings, the CD63 ended up being the item of choice for the conversion. Retained from the stock CD63 MkII are all the on-board features, and there are enough to attract even the most die-hard gizmo-gadget maven. Just to recap, for those who haven't ever seen or gone through a CD63, are the following points. Program, random, repeat, edit and peak functions are all here, making the CD63 KI a sonic swinger with features up to par with the rest of the mass-market boys. The best part is that all these functions are accessible through the fascia. This means that all those forgetful yobbos in AudioFile, myself included, won't be tearing their hair out when they need to programme the CD player but can't remember where they put the remote. The epitome of user-friendliness, if you ask me. There's also a nifty A-B repeat mode included for those of us who just want to listen to a particular part of a song or piece of music. Useful for those of us who're trying to memorise a particular part of a song or want to torture our neighbours with a particularly loud part of the latest Nine Inch Nails oeuvre. Turning the CD63 KI over ... wonder why that sounds so sexual (Get your mind out of your pants, young man. — A.L.) ... and you'll find that the rear of this player is quite, well, endowed. Apart from the RCA analogue outputs, the CD63 KI has two types of digital outputs available (co-axial and optical) and remote control in/out jacks. I'm impressed with the remote control jacks. When you connect this player to another Marantz device via a D-BUS remote control cable, you can control both devices through this unit. Truly excellent if you want to synchronise the CD63 KI with, say, the Marantz SD60 tape deck for instance. So what is different here? The use of higher quality capacitors, better power supply regulation, among quite a number of other things. Suffice to say that the KI is significantly tweaked, and most importantly, musically retuned. Scalpel, Nurse Chapel Sony CDP-X900E CD player, NVA P80/A60 pre-power amps, Monitor Audio MA201 speakers, OehlbachKabel NR-2 and MIT Terminator 3 interconnects and MIT Terminator 3 speaker cables. Not too impressive, perhaps, but it suits me fine, thank you. The sound of the crowd Having had a musical diet of mass-produced Japanese players, I was initially taken aback by how the CD63 KI sounded. Previous to this, my only brush with a Marantz was the CD46, and that was with me all too briefly to really discover what Marantz has to offer in way of sonics. Having said that, I have to say that the CD63 KI gave me an interesting insight into what kind of music Ken Ishiwata enjoys. The KI Signature series, as I mentioned earlier, is a stock CD63 redesigned by the man himself to his specifications. And as the classy ad proclaims, you can now obtain what he listens to. So, being the young fool that I am, instead of feeding slow stuff, I fed the CD63 KI an initial diet of fast and loud music. Very fast and very loud music. And some interesting things happened. The first thing I noticed was how clear the vocals sounded; voices came across slightly forward, but with amazing clarity and detail. And I mean detail, golly gee whiz ma, I actually heard the intake of breath on some of the songs I fed it. There's just so much detail. Both male and female vocals benefited from this new arrangement. And, mind you, all this was on loud and beaty tracks. But there's more. It's not just vocals that gain from this tweaking. Just listen to a guitar track and be prepared to be blown away. The guitars are just so clear, especially on acoustic guitar sections. The resolution here is downright amazing. Fret noises, harmonics and plucking are just so "there." And it's no slouch with an electric guitar either. The electric axe comes across with just the right amount of energy and presentation without drowning out either the voice or an acoustic guitar playing in the background. Try this on any CD that has both electric and acoustic guitar playing in tandem if you need further proof. In case you're wondering, the CD63 KI is no slouch on the low level resolution front too. Background electronic washes and vocals are quite clear and distinct. I mean, I could actually hear the raindrops falling on concrete distinctively in the background on Vangelis's Tears In The Rain. This level of detail is something I haven't observed on other players that I've encountered. All this led me to believe that Mr Ishiwata probably likes his music live, late night, laidback and jazzy. In went Astrud Gilberto's Girl From Ipanema, a live recording with some feedback and some hi-hat fumblings. Wow, wow and I mean wow. I was left speechless. I know I'm going to get crucified for this, but having heard a vinyl version of the same performance, I have to say that the CD version through the CD63 KI comes pretty close to sounding just like it. Gilberto's voice grabbed me and sucked me into the recording. This machine is such a jazz hound. So much so, I suddenly had a desire to go out and buy lots of jazz CDs. Yet all is not rosy on the Marantz front. There's a price to be paid for all this detail and, for fans of the bass guitar, sorry, your instrument is the one that's sacrificed. This isn't to say that the CD63 KI is bass unfriendly, but more a case of bass guitars sounding recessed. It's still there, but it lacks the same level of detail and attention conveyed upon the conventional guitar. Listen to the bass-led Whipsnade by Suede and the hard to listen to bass guitar on a-ha's Angel In Snow. Both tracks suffer from this recessed quality. Even the double bass on Girl From Ipanema isn't as full as it should be. Which all means this — rave-heads out there, this is not the machine of choice if you like your 220 B.P.M.s loud, dirty and pumping. The CD63 KI is a refined lady and she's not afraid of showing her lineage. Rave, techno and heavy metal types will just not appeal to her. Conclusion The Marantz CD63 MkII KI Signature CD player is a classy machine. She's excellent for slow, involving music like laid-back jazz and, I suspect, classical tracks. More than pleasing with vocals, the CD63 KI provides excellent detail and clarity for guitars and incidental background washes. Fans of bass will have problems, but the rest of us should be more than satisfied with what it can deliver. Truly one of the times when the reality is worthy of the hype. Model: Marantz CD63 Mk II KI Signature CD player
Hiện tại em đang yêu cầu chủ của em gởi hình. Theo thông tin thì em này rất mới, nhưng giá ra ban đầu hơi chát các bác ạ. Em sẽ up ngay khi có hình thật. Thanks, SunONE
Re: Con này đắt quá các bác nhẩy! Còn bác Ken-người làm ra cái CDP này thì nhận xét: http://www.vnav.net/index.php?news=85
Mấy tấm ảnh của em nó đây Chào các bác, Em vừa nhận được mấy tấm hình của em nó, gởi các bác chiêm ngưỡng. Em thấy đã có ý kiến của 2 bác Tây rồi. Các bác VN nhà mình cho em vài ý kiến với. Thanks, SunONE
